Evil Fiction By Orson Scott Card

Let me tell you about an audiobook that I hated.

I didn't hate it because it was badly written -- it was mediocre in the way that mediocre thrillers usually are, and that means it would ordinarily have been tolerable.

No, the reason I stopped listening to Steve Berry's The Alexandria Link is that this book is evil.

I don't mean it's about evil. I don't even mean that it is evil-porn, like those horror books whose authors are pervertedly devoted to thinking up cool ways to torture and kill people.

I mean that this book, to the degree that it is read by people ignorant of history (i.e., practically everybody), will move us closer to a future in which our society permits or even approves of the murder of Jews and the destruction of the state of Israel.

Wait! This book is fiction! How could it have such an effect?

Well, it can't -- not all by itself. Its effect is incremental. But it's real.

Here's how it works.

At the beginning of the book, we are shown a Palestinian during the 1948 war over the creation of the state of Israel. The scene is about how this Palestinian has been torturing a man he captured in order to find out what he is doing; then he kills him. But the torture is not treated in the fiction as anything other than a regrettable necessity; later, the character does in fact regret his actions that day.

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