Mametfest Destiny By Shawn Macomber
IT TOOK A SURPRISING number of questions about cinematographic technicalities before the topic that had birthed much grumbling in the line for a sold-out preview of David Mamet's sublime new movie Redbelt was at last broached.
"Can this film be read politically?" a young man finally asked the Pulitzer Prize-winning playwright and heralded film director during a post-screening Q&A session at the Walter Reade Theater, arguably the artiest of Manhattan's surfeit of art house cinemas.
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